Commission: Recycled Diamond Earrings

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Sometimes I get asked to recycle old family jewellery into something new and these earrings are a great example of this:.25 carat diamond studs

They’re simple, classic diamond studs but they’re made from one new diamond and one old one, taken from a client’s unworn engagement ring. It seemed a shame to leave this sentimental stone in a box so I matched another diamond to it and now she has a great pair of wearable earrings with a personal story.

 

Original Engagement Ring shank with the brand new Diamond Earrings
Original Engagement Ring shank with the brand new diamond earrings

Commission: Palladium and Ruby Engagement Ring

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Ruby Palladium Engagement Ring

This palladium engagement ring is designed to sit as a pair with the diamond one that I made last year, for a couple of ladies who are getting married this summer. I was a joy to make the ‘other half’ of their engagement rings so that they have a set with such similar characters.

This ring needed to be very practical and include a favourite gem of the bride to be: rubies. With that in mind it seemed that using small, flush set stones would be best as she’ll be able to leave it on all day at work without worry.

Palladium and Ruby Engagement Ring Sketches

The original ring had a twisted, raised ‘edge’ which ran all the way around it, highlighted by a bright polish against the matt finish on the body of the ring. I’ve accentuated this twist at the front of the new ring, widening it to give me space to add a little thread of rubies that sit within the curve and ‘flow’ around the ring.

We’ve kept the same, durable matt finish on this ring which really shows off the polished edge of the wave and the sparkle of the subtle sparkle of the stones:Ruby Palladium Engagement Ring by Becca Williams Jewellery Designer

 

Reticulated texture

While my workshop was open over the weekend I used the opportunity to make a batch of my new seaside pieces for a couple of galleries. I find, when I have multiples of one thing to make, that I easily get into a good working rhythm and gain some good working momentum.

I’m fairly new to reticulation though and I have to watch these pieces like a hawk to avoid melting them! Lately I’m getting a better feel for how the surface textures of the silver changes, and how to spot the warning signs of over heating – but when  started out it was all rather trial and error.

So, you start off with your nice, shiny wire:

and get heating, with a nice, gentle, feathery flame. I use charcoal bricks to support work that I’m reticulating – it tends not to stick to the charcoal and the heat reflects really nicely (which helps to keep the temperature even through the metal). There’s a brilliant tutorial on Ganoskin which takes you through the process and a quick video of me reticulating the wire here. With this being the end result:

Going back over the piece with a slightly more intense flame, right at the end, seems to even out the surface really well too. Once it’s all pickled clean for the final time it’ll look something like this:

these polish up beautifully into a texture that proves to be  wearing ever so well:

All set for Open Studios:

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I set the workshop up today for the Centrepiece Open Studios:

It was nice to have a bit of a spring clean, blow the dust off the lamps and lay out my wares in the workshop again. I had a few visitors this afternoon (we trialed an evening opening this year which I think worked quite well) and hopefully there’ll be some more tomorrow. Drop by if you’re in Birmingham to see me – and the 30 other Centrepiece members and guests who’ll be opening their workshops:

Centrepiece Jewellery Quarter Open Studios Map
Centrepiece Open Studios map – Click to enlarge

 

Serendipity #2: making …

I set to work bright and way too early this morning on the piece with those coral stones from yesterday:

Cutting forms (carefully numbered so that I get one of each half … )

Then soldering, filing and sanding to shape.

and it’s looking most promising.

I’ll put the final finish on soon …

Silverware for 2012 #3

posted in: Silversmithing 0

so, back at the bench today and fitting the base on this little beast proved rather a tricky manoeuvre. What works in card and sticky tape does not always work in metal and it needed a lot of shifting, filing and re-measuring to eventually get a neat fit.

With all the pieces lined up:

I bound it altogether, though I’m running out of the good, thick binding wire that I bought in uni so this is rather a Heath Robinson affair:

and the nice recessed base looks super:

I think I’m getting there with this piece, it’s a really cute size, so I’ll let it hang around the workshop for a day or so while I think about it, tweak it and draw etching patterns on it in sharpie!

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