Silver Tea Infuser

As a serious tea drinker I’ve always liked the idea of making some small pieces of silverware for use with tea. This year I’ve challenged myself to work on a larger scale and have begun by designing a tea infuser:

It’s evolved a little from the original biro sketch, which I doodled at the end of last year. Most notably I’ve changed the ‘handle’ to make it a better match for my Riverside collection.

The bowl of the teaball is spun from silver sheet before returning to the workshop for me to make and fit the internal mechanism. I opted with a handmade screw thread fitting here but will probably modify that on future infusers to use a lighter method of closure!

One of the most challenging aspects was drilling the holes in the bowl. Marking out an exact pattern is difficult around a curved surface and I was very aware of the risk of breaking a drill bit in the silver. I marked the holes from the center point outwards, placing them in concentric circles and spacing them as evenly as possible:

Once that was all arranged I finished the lid with a leafy handle and polished the infuser to a glossy shine:


Tanzanite & Silver Constellation Bangle

This lovely little commission was designed to celebrate a 45th Birthday. It’s patterned with a scattering of 45 tiny blue tanzanites and a myriad of small drill holes:


Bracelet Sketch Silver
Bangle Sketch


It began as a simple, oval wire bangle which I polished and then matt finished with a heavy, stippled texture. After that I marked out the pattern of the constellation before drilling it and marking the bangle up for setting. A mixture of 1mm, 1.5mm and 2mm tanzanites are set around it, flush with the surface of the silver.

The final piece is a subtle collection of silvery blue shades. The blue of the tanzanites matches beautifully with the soft gleam of the silver:

Silver and tanzanite bangle



Inspiration: Richard Long & Pamela Rawnsley

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Last week I attended the first of what will, hopefully, be many lectures in the memory of Pamela Rawnsley, an inspirational jeweller and silversmith who died last year.

Vessels by Pamela Rawnsley


She was very much driven by her love of the landscape, something that comes through very clearly in her work and for that reason when the Contemporary British SIlversmiths association organised the lecture they asked a favourite influence of hers, artist Richard Long, to speak.

The first piece of his work that I ever saw was probably his most iconic:

Richard Long, A Line Made by Walking, 1967
Richard Long, A Line Made by Walking, 1967

A Line Made by Walking. Simple, utterly effective and a distinctly human thing on the landscape.

It seems to be the thing that’s gone on to influence many of his other pieces, over and over, through the years. He said at the talk that ‘replicating his walking and his line making [over time] has formed a point of view‘. His endless walking and making and leaving of lines has come to define him, to build the work of his life. Apparently it didn’t seem like much at the time, just a sculpture that was made, like so many others, while he was out walking, but returning to the essence of it so many times over the years has given it deep significance.

Richard Long, A Line in Bolivia, 1981
Richard Long, A Line in Bolivia, 1981
Richard Long Road Stone Line, China, 2010
Richard Long Road Stone Line, China, 2010

Alongside lines he builds circles:

Richard Long A Circle in Antarctica
Richard Long A Circle in Antarctica

both starkly (like this white one in Antarctica) and in beautifully subtle ways like these circles in South America:

Richard Long ACONCAGUA CIRCLE Argentina, 2012
Richard Long ACONCAGUA CIRCLE Argentina, 2012
Richard Long, A Circle in the Andes, 1972
Richard Long, A Circle in the Andes, 1972

These are probably the ones that I like best, because they dare you to believe that they occurred naturally and make you re-evaluate the landscape that you’re seeing and your place in it.

To find out more about the Memorial Fund, or to donate to it. click here.

Craft & Design Magazine: Diary Writer 2015

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I’m incredibly pleased and proud to be this year’s Craft and Design Magazine Diary Writer.

Becca Jewellery Diary Writer Craft Design Magazine

Each year the magazine chooses someone working in the contemporary crafts and gives them a chance to write an article for each issue, forming a diary of what’s going on in and around their practice.

This year they picked me! The first issue landed in the workshop today and I’m super excited! So, what are you waiting for? Go buy one or, better still, get a subscription – it’s a wonderful source of information and inspiration.

Workshop Renovations, pt 2

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Workshop renovations are coming on apace, with the last coat of paint due to go on the walls tomorrow I’ve roped in some wonderful helpers to build benches, put up an awful lot of scavenged worktop and generally aid in making the place ship shape. And all I had to do was feed them.

Seriously though, I couldn’t have done this without the generous help that I’ve received along the way so far – and can’t wait to move in to the finished space.


Etched Estuary Napkin Rings

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Becca Williams Etched Silver Estuary Napkin Rings

These are my lovely new etched napkin rings, just back from the photographers. They’re the first round pair of napkin rings that I’ve done and, while the etch was a little challenging (especially on the inside of one!) I think that they’ve come out wonderfully.

Have a look at the making images here:

Ideas for new work …

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A secluded January in the studio has given me time to think about some new ideas and where I want to start taking my work in 2014. I’ve been busy already, starting to etch on a larger scale (more of that later) and beginning to work on some new pieces of silverware for my exhibition stand.

Here’s a sneaky peak at some rocking Tidal napkin rings, works in progress:

Tidal Napkin Rings

which have just gone off for hallmarking …


Centrepiece 20th Nov – 23rd Dec 2013

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Centrepiece 2013 opens at Symphony Hall this Thursday with 28 local designer makers  selling their work in the run up to Christmas.

Centrepiece Logo

The show will be open from 10am – 10pm everyday and is always staffed by the designers themselves, here’s a selection of what will be available (to help you out with your Christmas gift buying … )

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