Commission: Palladium & Diamond Engagement Ring

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At the start of the year I made this diamond and palladium engagement ring, for some friends who will be getting married next year. Now that the proposal has happened (and she said ‘yes’) I’m safe to post the photographs without ruining the surprise!

Palladium Diamond Wave Engagement Ring

This ring was designed to be really wearable, but still have a substantial bit of sparkle about it, with a prominent central diamond that’s set quote low – so as not to scratch and catch.

It has a really subtle, curved knife section band, with a comfortable rounded side which sits on your finger and a soft point that faces outwards, forming that bright, polished line which runs around the band and draws your eye right along to the diamond.

The diamond itself is Canadian, a beautiful Princess Cut which is securely set in a bezel.

Here’s how it was made, from drawings to ring:

 

Inspiration: Richard Long & Pamela Rawnsley

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Last week I attended the first of what will, hopefully, be many lectures in the memory of Pamela Rawnsley, an inspirational jeweller and silversmith who died last year.

pamela-pots-752536410
Vessels by Pamela Rawnsley

 

She was very much driven by her love of the landscape, something that comes through very clearly in her work and for that reason when the Contemporary British SIlversmiths association organised the lecture they asked a favourite influence of hers, artist Richard Long, to speak.

The first piece of his work that I ever saw was probably his most iconic:

Richard Long, A Line Made by Walking, 1967
Richard Long, A Line Made by Walking, 1967

A Line Made by Walking. Simple, utterly effective and a distinctly human thing on the landscape.

It seems to be the thing that’s gone on to influence many of his other pieces, over and over, through the years. He said at the talk that ‘replicating his walking and his line making [over time] has formed a point of view‘. His endless walking and making and leaving of lines has come to define him, to build the work of his life. Apparently it didn’t seem like much at the time, just a sculpture that was made, like so many others, while he was out walking, but returning to the essence of it so many times over the years has given it deep significance.

Richard Long, A Line in Bolivia, 1981
Richard Long, A Line in Bolivia, 1981
Richard Long Road Stone Line, China, 2010
Richard Long Road Stone Line, China, 2010

Alongside lines he builds circles:

Richard Long A Circle in Antarctica
Richard Long A Circle in Antarctica

both starkly (like this white one in Antarctica) and in beautifully subtle ways like these circles in South America:

Richard Long ACONCAGUA CIRCLE Argentina, 2012
Richard Long ACONCAGUA CIRCLE Argentina, 2012
Richard Long, A Circle in the Andes, 1972
Richard Long, A Circle in the Andes, 1972

These are probably the ones that I like best, because they dare you to believe that they occurred naturally and make you re-evaluate the landscape that you’re seeing and your place in it.

To find out more about the Memorial Fund, or to donate to it. click here.