On the left is a costume jewellery ring and, on the right, a 9ct yellow gold, morganite and white sapphire ‘copy’ made to order for a client who loved the feel of this ring but not the materials!
An aspiring jewellery designer herself the client had an existing mold, made a few years ago, which she had never used to produce a ring. I was able to use that mold to produce wax copies and then modify them to suit the styles of stone setting that we had chosen.
I filled in the top of the ring with extra wax and carved new setting faces onto the inner slopes. This provided a better surface to set the beautiful, cushion cut, Morganite that we’d chosen.
Once cast the ring looked quite rough so I set about cleaning it up at the bench, taking off harsh marks left from adding wax and removing the fine, matt texture that had been left by the lost wax casting process. After fully sanding the ring I polished it, bringing the whole surface up to a uniform finish. With the central stone selected I matched up nearly 30 small, white, sapphires to form a glittering band around the top edge of the ring.
After setting the ring with the cushion cut Morganite, and a band of white sapphires, I plated the top face with bright, white rhodiumm. This pale canvas really brings out the colour of the Morganite and makes the peachy tones of it pop: