At the Gordon Russell Design Museum

posted in: Events, exhibition 2

Earlier this week I installed an exhibition at the Gordon Russell Design Museum, in Broadway. The Museum offered members of the Worcestershire Guild the opportunity to display their work within the Museum Collection, a wonderful setting for handmade craft.

Upstairs at the Gordon Russell Design Museum
The Museum:

The Gordon Russell Design Museum is housed in the Gordon Russell Company’s original design office, a thin, barn-like building tucked behind the High Street in the Cotswold village of Broadway. It’s filled with a chronological display of work from Gordon Russell himself through to later production pieces made by the company he founded.

He championed the fusion of the machine and man-made, embracing technological advances in production but conserving craft hand skills. It’s an ideology that I really appreciate as it neither dismisses modern technological advances or neglects the hand-making that I enjoy so much.

Open the drawer:

For the duration of the show my work will be housed within this 1950’s Utility Chest of Drawers, Dressing Table and Mirror. Made in English beech it was designed by David Booth for Gordon Russell Ltd. The piece was mass-produced and purchased in the early 1950 from Heals of London. It reflects Gordon Russell’s idea that good design and quality workmanship should be affordable and these pieces, and many like them, decorated many English homes from the 1950’s onward.

In the top drawer you’ll find new pieces from my Riverside collection, alongside best sellers like my Circular Leafy Pendant. Visit the exhibition from 22nd August to 17th September 2017 at the Gordon Russell Design Museum in Broadway.

Exhibition: Made with Love in Leeds

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Each spring the Craft and Design Centre Gallery in Leeds holds a show celebrating the romance of British Craft – this year there’s a distinctly birdie theme to the show, with work featuring our feathers friends from jewellers, ceramists and glassmakers alike.

My Riverside collection will form part of the exhibition alongside these other makers (plus a few more):

See the full line-up here

Craft at the Three Choirs Festival, Worcester 2014

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This year the annual Three Choirs Festival returns to the city of Worcester for a glorious week of music in the historic Cathedral.

The Worcestershire Guild of Designer Craftsmen will, once again, be celebrating the event by hosting a contemporary craft fair in the Cathedral grounds, presenting a selection of work from local designer makers.

 

Worcestershire Guild Craft Three Choirs Poster 2014

Alongside the Worcestershire Guild will be members of the Cotswold and Herefordshire Craft Guilds, both of whose home cities also play host to the Three Choirs Festival, on alternate years.

The show opens on Saturday 26th July and runs until Saturday 2nd August, opening from 10am to 8pm each day.

Desire – Kensington [March 2013]

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I recently spent the weekend at Desire in London surrounded by a wonderful collection of jewellery and silverware from some of the finest makers in the country.  In the heart of Kensington the event has just moved into, hopefully, a new permanent home where it can grow and build up quite a following.

Natalie Harris:

Natalie Jane Harris

Besides the jewellery on show it was encouraging and inspiring to see so much silverware represented – British Silverweek brought a considerable amount of new talent with it to sit alongside more established makers like Andrew MacGowan and Esther Lord.

Collete Bishop:

Colette-Bishop

Showed a sumptuous little selection of her neat, smoothly curving vessels, off set by their jagged tops and beautifully tactile in form.

Fiona McAlear:

Fiona MacAlear

Brought this little vessel along – just look at the beautiful, intricate detailing on the lid:

Fiona MacAlear Lid

it makes what could be quite a heavy piece feel delicate – and makes a lovely feature of the hinge.

Kathryn Hinton:

Kathryn Hinton

 

and I had a quick chat with Kathrine Hinton who makes use of some wonderful new technologies (computer modelling, digital hammer blows and some very fine rapid prototyping) to produce tiny, detailed vessels and jewellery with surfaces that you just want to hold and explore:

Kathryn Hinton

Centrepiece 2012

posted in: Events, exhibition 1

Today I set my work up at Birmingham’s annual selling exhibition of contemporary jewellery and silverware. Centrepiece, now in it’s 15th year is a showcase for some of the best makers in the Jewellery Quarter and well worth a visit (though I say so myself …)

This year some new and guest designers have joined the show bringing in ideas about ethical gold, recycled work and some inventive use of new technologies. Here are a few of the highlights:

and a sneaky peak at what’s in my cabinet:

The show is open from Thursday 15th November until Sunday 23rd December from 10.30am – 8.30pm (or later) everyday and is staffed by the designers – so you just might be buying work straight from the hands that made it!

 

Standing on the shore, staring at the sea …

During the summer Angela Learoyd will be hosting a show in her beautiful Scottish gallery, filled with work that evokes the coast.

I was really excited to be asked to get involved – as the theme of the show matches the spirit of my work perfectly. There’s a wonderful selection of makers involved too:

Kathryn Williamson

Lindsay Kirkpatrick

Angela O’Keefe

The show runs from the 6th of July to the 1st of September in Angela’s Gallery in Doune, Scotland.

Fit for Purpose – Contemporary British Silversmiths at the V&A

When I was in London for Jewellery Week I made some time to sneak down to one of my favourite parts of the city – the Victoria and Albert Museum. Over the summer it’s hosting a show for the Contemporary British Silversmith‘s Society entitled ‘Fit for Purpose‘.

At the back of the silver galleries is a delicious little case filled with contemporary silverware:

The show has an interesting concept given that, in the last century or so, the market for silver has changed so radically and the ‘purpose’ for which most silverware is now made has shifted. Gone are the days of large firms making household, utilitarian silverware and the market is now much more dominated by studio makers exploring the craft for private clients and small retailers.

The work on display is varied, from that clearly designed for a more traditional purpose – like Louise Mary‘s salad servers (utilitarian, but no less elegant for being so) to the intentionally conceptual pieces of Rajesh Gogna.

There’s also a beautiful piece of Kevin Grey‘s laser welded work, a stunning set of angular beakers from Mary Ann Simmons and a wonderful sculptural tray from Alex Ramsey, which bears her distinctive and delicate cut patterning spread across a form I’ve not seen before.

For a small case it’s a wonderful collection of work that’s well worth a visit – the show continues in the V&A silver galleries until the 16th of September 2012.

British Craft Trade Fair 2012 – Jewellery Newcomers

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The newcomers section at this year’s British Craft Trade Fair was an especially vibrant and lovely place, filled with exciting ideas and makers keen to talk about their work and how their businesses are developing.

Emily Knight:

Emily Knight's Stand

Emily Knight trained up in Glasgow and her work has a beautiful emphemeral quality about it. She displayed her distinctive silver and enamel pieces against hand drawn sketches – which looked so wondefully natural that you can’t help feeling that the walls were an extention of her sketchbook.

Emily Knight, Brooches

She’s got a wondeful eye for setting colours together without the enamels looking harsh and the fun, quirky details (like the little silver bicycles) makes them wonderful and light.

Emily Knight, bangles

Maneggi:

Then, just down the aisle from me was this lovely stand:

Maneggi - Ribbon Jewellery

featuring work from Maneggi, who, well – has a thing for ribbons … and wonderfully sculptural things she does with them too. With a really sensitive eye for colour she combines ribbons and pearls into little wearable structures:

Maneggi, Aqua and Pearl

 

They have quite a soft, vintage feel which is given a classic edge by her use of the pearls and other beads that give form to her pieces.

Karen Fox:

Karen Fox Jewellery Stand

And just one aisle over was the work of Karen Fox, another recent graduate with a passion for neat, structured pieces built up out of layers of texture. Her larger scale ruffle pieces (like the collar that you can just see on the left) wouldn’t look out of place at the ballet and have a defnite theatrical, Elizabethan flavour that makes you want to layer them up into giant sculptures.

Karen Fox, Ruffle Series

The whole show catalogue is online here for you to get a flavour of just how much craft work was on show.

It was a truly stunning collection of work from new and established makers alike which gives me a lot of hope for the future of the creative industries in the UK – it’s really wonderful to be working in so vibrant a marketplace.

British Craft Trade Fair 2012

posted in: Events, exhibition 4

I spent the weekend at the British Craft Trade Fair introducing some of my work to trade buyers and getting the first real public reaction to the new beachcomber pieces. I’ve never independantly taken my work to a trade show before but the whole expereince was overwhelmingly positive.

The show had over 400 stands filled with handmade, british contemporary craft and the high standard of the work on show was inspiring. It was wonderful to be in such creative company and everyone was so nice. Working on your own it’s easy to forget how many other people are working and learning about handmaking all the time too – and I swapped a few good stories and bits of advice with the other exhibitors.

Anyway, it wasn’t all about us jewellers talking shop – here’s how my stand looked for the show:

I’m really quite pleased with how much I got into a 1m x 2m space and the clean minimal look that the white walls gave it all. I generally have more space at retail shows but I think I’ll keep using this set up, only with a bigger table top …

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